Showing posts with label Kent Rogers. Show all posts
Showing posts with label Kent Rogers. Show all posts

Monday, October 21, 2019

The Heckling Hare: "Cartoon Man Walks Out"

Release date: 7/5/41 (according to BCDB); 7/12/41 (according to Michael Barrier's Hollywood Cartoons)

DVD/BR AVAILABILITY: Looney Tunes Golden Collection, Vol. 2; as a part of the film What's Up, Doc? A Salute to Bugs Bunny, Pt.1 on LTGC Vol. 3; Looney Tunes Spotlight Collection Vol. 8  (all Warners Home Video DVDs)

You may view a crisp correct-ratio print of this cartoon HERE. The screen grabs are provided by our great pal Devon Baxter, and make this frequency of posting possible. Please check out and support Devon's Patreon page. He's doing superb work in determining who did what in these classic cartoons, where the film credits usually bely the artists who worked on them.

Monday, September 23, 2019

Hollywood Steps Out and les films maudits of '41

Release date: 5/24/41 (according to BCDB); the version we have is the edited Blue Ribbon reissue of 10/2/48

DVD/BR AVAILABILITY: Looney Tunes Golden Collection, Vol. 2LT Platinum Collection, Vol. 2; LT Spotlight Collection Vol. 2 (all Warners Home Video DVDs)

You may view a crisp correct-ratio print of this cartoon HERE. The screen grabs are provided by our great pal Devon Baxter, and make this frequency of posting possible. 

<><><><><><><><>

Tex Avery's remaining Warner Brothers cartoons often suffer from tampering or the presence of another director's hand. Some were cartoons left unfinished when Avery parted ways with Leon Schlesinger; others had cuts demanded by the front office.

Hollywood Steps Out is an example of how certain cartoons were altered for their reissue--in this case, seven years after its director had moved on to M-G-M. In this window of time, a war was fought, times changed and some celebrities lost their mass appeal; others matured and no longer resembled their caricatured selves. As wartime gags were scissored from post-war reissues, cultural references that no longer made sense got 86d. None of this mattered to the average moviegoer. The cartoon was not the reason they came to the theater. 

Bundled with other short subjects and coming attractions, they were the prelude to the main features--extras that, if missed, weren't a problem for most viewers. Cartoons came and went; some became word-of-mouth favorites and the good ones built a gradual fan-base that blossomed in the age of television.